Wednesday, February 2, 2011

Saturday, January 29, 2011

Monday, January 3, 2011

Bonhoeffer the Brave: Interview




LOPEZ: What are the most prevalent myths about him?


METAXAS: One of the big ones is that he was a pacifist, which he wasn’t. But the Sixties anti-war movement appropriated Bonhoeffer for their purposes nonetheless. They seemed to be under the impression that, had he lived, he would have been the third person in bed with John and Yoko. Another myth about him is that he was an advocate of income-redistributionist “social justice.” There’s just no actual evidence for that.


But the main myth about him is that while imprisoned by the Gestapo he drifted away from orthodox Christianity toward some kind of “post-Christian humanism,” that he became some kind of atheist. This one is based off of a single infamous phrase — “religionless Christianity” — that he wrote in a letter to his best friend Eberhard Bethge. It turns out that Bonhoeffer meant precisely the opposite of what the atheists and agnostics said he meant. This is a classic case of the lie traveling around the world four times before the truth gets a chance to put its shoes on. There was no rebuttal to this misinterpretation for so long that it just got out there as a fact and stayed out there — basically until now, over 50 years later.

What Makes a Song Sad?



While there might be a loose correlation—reinforced by our particular musical tradition—between minor scales and "sadness," it's a mistake to think that the moods evoked by music can be confidently reduced to tonality in and of itself. Indeed, those recalcitrant minor key songs that defy generalization about the link between tonality and mood may tell us something more important about music than the ones that conform.


Don't forget: The main reason "Happy Birthday" sounds "upbeat" and "Eleanor Rigby" sounds "doleful" is that their composers intended that they should. And because that's what their composers obviously intended, that's the way the songs are typically performed. But there's much more than tonality that goes into evoking those moods.